A variation on the theme is the vertically polarized rhombic of Fig. 6-23. Although sometimes called an inverted vee—not to be confused with the dipole variant of the same name—this antenna is half a rhombic, with the missing half being “mirrored” in the ground (similar to a vertical). The angle at the top of the mast (Φ) is typically ≥ 90°, and 120 to 145° is more common. Each leg (A) should be ≥λ, with the longer lengths being somewhat higher in gain, but harder to install for low frequencies. A requirement for this type of antenna is a very good ground connection. This is often accomplished by routing an underground wire between the terminating resistor ground and the feedpoint ground.
Multiband fan dipole
The basic half-wavelength dipole antenna is a very good performer, especially when cost is a factor. The dipole yields relatively good performance for practically no in
vestment. A standard half-wavelength dipole offers a bidirectional figure-8 pattern on its basic band (i.e., where the length is a half-wavelength), and a four-lobe cloverleaf pattern at frequencies for which the physical length is 3λ/2. Thus, a 40-m halfwavelength dipole produces a bidirectional pattern on 40 m, and a four-lobe cloverleaf pattern on 15 m.
The dipole is not easily multibanded without resorting to traps . One can, however, tie several dipoles to the same center insulator or balun transformer. Figure 6-24 shows three dipoles cut for different bands, operating from a common feedline and balun transformer: A1–A2, B1–B2, and C1–C2. Each of these antennas is a half-wavelength (i.e., Lfeet = 468/FMHz).
There are two points to keep in mind when building this antenna. First, try to keep the ends spread a bit apart, and second, make sure that none of the antennas is cut as a half-wavelength for a band for which another is 3λ/2. For example, if you make A1–A2 cut for 40 m, then don’t cut any of the other three for 15 m. If you do, the feedpoint impedance and the radiation pattern will be affected.
From The Book " Practical Antenna Handbook - by Joseph P. Carr"
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